A quiet river of moments, carrying memories from the past into the unfolding now.
1953 A FAMILY TRADITION
Orrling Jewellery is rooted in a vibrant family tradition of creativity and craftsmanship. The journey began in 1953 when a young Torsten Orrling, father of Håkan Orrling, embarked on his journeyman travels across Europe. Immersing himself in the world of jewelry design, Torsten honed his skills and laid the foundation for Orrling's enduring connection to this timeless art.
The Orrling story is also enriched by the legacy of G. Åberg, Torsten’s great-uncle. Åberg lived in the bustling artistic hub of Paris, rubbing shoulders with luminaries like Léon Bonnat and Carl Larsson in the dynamic cultural scene of Montmartre. There, he pursued artistic freedom and innovation until his life was tragically cut short by pulmonary tuberculosis at just 25, following a theater performance.
Though his life was brief, Åberg’s spirit lives on through generations, infusing Orrling Jewellery with a unique blend of artistry, tradition, and bold creativity that continues to inspire today.
1989
I entered the goldsmith academy and began my training. From the beginning, I was drawn to the quiet mystery of shaping precious gold a craft where creativity could move freely through the hands.
An early position under poor leadership taught me an important lesson. It gave me the clarity and determination to write my own story.
I few years after the education , I opened my first atelier guided by the belief that creativity, craftsmanship and respect should always go hand in hand.
1990
Designing the Gisela Flower
1993
I joined students from across Europe at what was then called the Institute for Precious Metals in Copenhagen / Emdrup, attending a course focused on design.
The education opened a new creative dimension introducing new ways of thinking that would forever shape how I see and approach the art of jewelry.
1997
After several years moving quietly between different ateliers learning through the discipline of hand, material, and process I opened my own studio, Artmetall. It marked the beginning of a more personal path, a place where creativity could unfold with greater freedom.
The work from this period explored sculptural jewelry in mixed materials: acrylic, plastics, and organic elements brought into dialogue with precious stones. Forms were shaped by impressions gathered during travels and expeditions—tribal expressions encountered in the Serengeti, and the vibrant color and gemstone traditions of Jaipur.
Within Artmetall these worlds met in a subtle tension: raw and refined, organic and precious. The resulting pieces moved between jewelry and small sculpture objects of adornment carrying traces of landscape, journey, and memory.
All of this emerged within a remarkably small space of just 25 square meters, where a creative atelier and an open workspace were combined with a contemporary showroom an intimate environment where making, displaying, and experimentation existed side by side.
2001
The first atelier was small just 25 square meters. Yet it quickly began to feel even smaller as new ideas, sketches and creations continued to grow.
What began as a modest workspace soon became too limited for the expanding vision. The need for more room both for craftsmanship and for welcoming clients became clear.
In 2001, we made the decision to move to a larger atelier with a more prominent showroom opening the door to the next chapter.
This was also the moment to redefine our direction. We stepped fully into fine jewellery, introducing the first creations set with carefully selected precious stones. With this new chapter, we also introduced a new logo, marking the evolution of the brand and its identity.
2003
Håkan Orrling launched his first solo art exhibition, presenting mixed-media works where precious metals were interwoven into oil and canvas.
The exhibition explored the borderland between objects meant to be worn and objects meant to be seen questioning where jewelry ends and art begins, and where the line lies between art and craft.
2005
In 2005, the Amour Griffe was born from a simple idea: love is never only gentle. A heart forms the base of the piece. From its center rises a tallon-shaped griffe, growing naturally from the curve of the heart.
The design reflects the quiet paradox of love and life beauty and strength, tenderness and edge. A symbol where emotion takes form in precious metal.
2006
In 2006, we introduced the concept The Bodhi Tree a framework created to challenge the boundaries of an otherwise stereotypical jewellery landscape.
Like a root system, the concept allowed spirituality and material reality to grow from the same source. It asked simple but essential questions: Be yourself. Find yourself. Which piece of jewellery are you? What holds the greater value emotional meaning or the size of a diamond?
Questions were raised whose answers may never be fully given or perhaps are meant to reveal themselves slowly over time.
Within the branching structure of The Bodhi Tree, many ideas began to grow. It was here that the foundation of a true brand identity emerged, and where the first thoughts behind many of today’s designs first took shape.
2007
In 2007, life changed in the most profound way. My wife and companion Anna gave birth to our first child.
The greatest moment also raised the greatest questions. It led us to listen to life in a new way with a deeper awareness of fragility, love and responsibility.
From that moment, these reflections quietly began to influence our work, shaping the expression of our jewellery with a new sensitivity to what truly matters.
2008
In 2008, we took our largest step so far both creatively and economically. We designed and built a true luxury showroom, entirely handcrafted by Inredo and designed by us.
The space was conceived to offer clients a new experience a place where the atmosphere, materials and craftsmanship reflected the same care found in our jewellery.
It also allowed us to present the growing collection of high jewellery pieces now being created in our atelier, giving them the setting they deserved
We make things that work better and last longer. Our products solve real problems with clean design and honest materials.
2008-2016
From 2009 to 2016, our focus turned deeply toward family. During these years, our two younger amazing children were born, expanding our family and bringing with it all the challenges and joy that such growth carries.
These years became a period of development on many levels. In the wake of the 2008 financial crisis, the business faced more demanding conditions, yet we navigated the period well, finding new paths and ways to evolve.
We focused on organic growth, gradually recovering from the significant investments made around 2008. Through events and exhibitions, we strengthened our presence and established a small network of selected retailers, always remaining committed to working within the high jewellery segment.
During this time, the Gisela Flower was reborn. Returning to its original form, the design was carefully refined with subtle adjustments and small details, gradually evolving into the shape it still carries today. The flower draws inspiration from the floating, light forms of Henri Matisse.
Alongside the development of the Gisela Flower, new creative branches emerged. Collections such as Vermilion Zone and Little Nomad were born during this period, growing naturally from the same exploration.
These years, which on the surface appeared quiet, became essential. They allowed the foundation of a growing creative bank to take form. Through constant searching, a path slowly revealed itself — sometimes straight, sometimes winding — but always authentic. And as we all know, there are no shortcuts.exhibitions, we strengthened our presence and established a small network of selected retailers, always remaining committed to working within the high jewellery segment.
During this time, the Gisela flower was also reborn. Returning to its original form, the design was carefully refined with subtle adjustments and small details, gradually evolving into the shape it still carries today., we strengthened our presence and established a small network of selected retailers always remaining committed to working within the high jewellery segment.
2016
Made with care and unconditionally loved by our customers, this signature bestseller exceeds all expectations.
2017
In collaboration with Humanium Metal, we launched the Links project — transforming metal from destroyed illegal firearms into meaningful jewelry.
Humanium Metal worked with authorities around the world to seize and permanently destroy illegal weapons, melting them down into a certified material symbolizing the transition from violence to hope. Using this material, we created one of the first 3D-printed jewelry pieces in the world made from Humanium Metal.
The Links bracelet became a symbol of connection — between design, innovation, and social responsibility. A portion of every bracelet sold supported the initiative’s mission to remove illegal weapons from circulation.
Although the Humanium Metal initiative has since concluded, its impact remains profound. Together we helped contribute to the destruction of tens of thousands of illegal firearms worldwide, ensuring they would never return to use.
A chapter in our history where craftsmanship and purpose came together to transform instruments of harm into symbols of hope..
2017
In collaboration with Humanium Metal, we launched the Links project — transforming metal from destroyed illegal firearms into meaningful jewelry.
Humanium Metal worked with authorities around the world to seize and permanently destroy illegal weapons, melting them down into a certified material symbolizing the transition from violence to hope. Using this material, we created one of the first 3D-printed jewelry pieces in the world made from Humanium Metal.
The Links bracelet became a symbol of connection — between design, innovation, and social responsibility. A portion of every bracelet sold supported the initiative’s mission to remove illegal weapons from circulation.
Although the Humanium Metal initiative has since concluded, its impact remains profound. Together we helped contribute to the destruction of tens of thousands of illegal firearms worldwide, ensuring they would never return to use.
A chapter in our history where craftsmanship and purpose came together to transform instruments of harm into symbols of hope..